In his
first feature since The Amityville Horror in 2005, Andrew
Douglas tackles another true story, this time of two teen boys who made legal
history in 2003 when they were caught up in a criminal internet-fuelled incident.
The investigation into the serious but uncanny crime and the court case battle
that followed was notoriously concealed from the public and media domain, and
now, ten years on, Douglas ’ depiction of this
urban tragedy attempts to unveil the true events whilst examining the potential
of the internet and the calamitous consequences it can have for both individuals
and society.
Confident and popular schoolboy Mark (the legal pseudonyms of both boys are used), played by Jamie Blackley (London Boulevard), is full of life, his overt boisterousness and tongue ‘n’ cheek manner as endearing as his cyber teen romance with his chatroom sweetheart Rachel (Jaime Winstone). But when Rachel, who cannot reveal herself due to being signed up to witness protection program to protect her abusive and criminal boyfriend, tells Mark to watch out for her loner brother and his classmate John (Toby Regbo), the two boy’s kindling bromance plunges them into a disastrous, life-changing predicament.
FeardotCom (2002), Cry Wolf (2005),
Untraceable (2008) and Chatroom (2010) are amongst those
that have acted to unveil the horrors and the lessons to be learnt from the
consequential use of cyberchat, and uwantmetokillhim?
too tackles this incessant continual human
concern – a concern that has been troubling our ever-growing instant-messaging
cyber world long before the Facebook era.
Nowadays it’s
not an uncommon feature of films to uncover true stories and Douglas does well
to divulge the story through a deserved and insightful realism whilst ensuring
not to surpass the dramatic elements of his own vision of the account or forego
the moulding of his two subjects’ characterisation.
As Jack
takes ‘weird’ john under his wing, their bourgeoning relationship carries some
profound heartfelt moments and in turn the sincerity of the boy’s troubles
involving. The chemistry of Blackley and Regbo is electric, often touching, and
the initial prioritisation and vast depth given to understanding their
friendship allows Douglas to effectively
captivate the viewers before honing in on the harrowing reality of Mark and
John’s fate.
It’s only
when the situation escalates and Mark loses control to the power of public
order institutions that, had it not been based on a true story, is where you’d
think its credibility wavers. Mark’s wordly inexperience and naivety edges
exploitation to the forefront of the plot’s focus henceforth as his lonely
quandary spirals down a tragedy of manipulation, deceit, sociopathicism and
demented fantasy. It provokes a few ‘what if’ and ‘what now’ scenarios, without
overly squandering the opportunity, and Blackley excels in communicating Mark’s
self-battle and moral struggle.
A few
unexplained inconsistencies arise as it nears its conclusion and its
shortcomings lean towards a rather abrupt ending after the sudden realisation
of the truth; the lack of insight into the aftermath can only be down to the
legalities of the two subject’s undisclosed identities. But these slight
inadequacies do not undermine Douglas ’
extensive efforts to tell the tale, and thus it succeeds all-around as a tense,
gripping and absorbing cyber chiller that all too truly exposes the disastrous
and powerful effects of internet abuse.
VERDICT: An unnerving story that will resonate with most and make even the internet-savvy shiver, uwantme2killhim? goes further than its predecessors to expose the vulnerability of youths in todays digital world.
No comments:
Post a Comment